Buy with Confidence from Guitar Maverick!
We know GREAT PRS Guitars and you just found one... Truly another UNICORN we received from the Great Guys at PRS Guitars...
Listed as a Copperhead Artist Hybrid Package, this guitar was most likely a Wood Library Built Guitar built with an Artist Top. It has an Extra Dark Ebony Fretboard and HS overlay. A very comfortable and balanced Singlecut at 8lbs 8.8oz too, and Pattern Vintage Neck Profile. Most importantly, that back looks so impressive, just look at the figuring! Black Paisley Artist Case tops this one off and the Flamed Maple Natural Binding is awesome.
Vintage Non Locking Tuners, Hybrid Hardware, and 58/15LT pickups complete this incredible Guitar..
Don't Hesitate, we will not get another one like this!
The McCarty family of guitars are born from passion and precision: built passionately to embody vintage appointments and tone while utilizing the precision of PRS’s modern manufacturing techniques. Whether you are looking for rich, authentic humbucking tones or nuanced, sweet single-coil sounds, the McCarty Singlecut 594 can seamlessly master both sonic territories thanks to the 58/15 LT+ pickups and push/pull coil taps on the tone controls. The electronics layout, a few key specifications, and PRS craftsmanship combine in the McCarty Singlecut 594 to create an instrument that plays in tune, is intonated the entire length of the neck, and feels like a guitar that you’ve been playing forever.
The McCarty Singlecut 594 has been meticulously spec’d to deliver a familiar feel and warm, vintage tone, featuring a bound, 22-fret, 24.594” scale length Pattern Vintage neck, a slightly thicker back for enhanced tone and sustain, and 58/15 LT+ treble and bass pickups, which have now been through the TCI (tuned capacitance and inductance) process. 58/15 LT+ pickups offer exceptional clarity, focused midrange, and vintage character. The McCarty Singlecut 594 model is anchored by a zinc two-piece stoptail bridge with brass saddles and studs for added resonance and vintage-style tuners.
“One of my sayings is that everything that touches the string is God – well, that’s really the bridge, the nut, and the tuners. The updates to the McCarty family make a huge difference in their tone. The guitar sustains longer and the tone has more character,” said Paul Reed Smith.
In the late 1980’s, Paul Reed Smith called on Ted McCarty to consult with him on guitar design and production techniques. He not only served as a mentor but became a great friend of Paul and everyone he met at PRS. In 1994, PRS released the first McCarty, an instrument that incorporated the full spectrum of techniques and knowledge Paul had gained from Ted as well as his own experiences as a guitar builder.
|Top Wood||Carved Figured Maple|
|Number of Frets||22|
|Neck Shape||Pattern Vintage|
|Fretboard Wood||Ebony w/ Faux Bone Binding|
|Fretboard Inlay||Artist Birds|
|Bridge||PRS Two-Piece, Cast Zinc|
|Treble Pickup||58/15 LT +|
|Bass Pickup||58/15 LT +|
|Controls||Two Volume and Two Push/Pull Tone Controls with 3-Way Toggle Switch on Upper Bout|